Art
They said...
CARLOS VILCHIS(Contractor) - Mexico City, MX
“I think this Master can go forward to have a specific profile and a specific reputation, towards a more experienced person having a key role in the big productions more than just artists .”
JEAN-PAUL FOURMENTRAUX(Teacher-researcher) - Marseille, FR
“If art is an early warning system, it can become extremely relevant also to the study of media, as well as to the creation of means of mastering it. For this reason too, it seems to me that we need creators and artists more than ever to act in intelligence with engineers and developers.”
DON FORESTA(Creator of the MARCEL network) – Paris, FR
“There is always a technology to be developed, which means that there is technical engineering training which is extremely important. And of course there is the fundamental artistic experimentation and the two have to really work together.”
FABIEN ZOCCO(Digital Art Artist) – Lille, FR
“The very foundation of an artistic approach in its contemporary conception is its ability to resonate with a reality which is that of the world in which we live.”
JEAN-MARIE DALLET(Digital artist and professor at the University of Paris 1) - Paris, FR
“One thing that would be very important is the question of initial knowledge at the start and especially the question of culture. I think that today young people should be interested in the history of the arts in the broad sense: the history of the arts is not simply a history of painting and sculpture, but it is also the history of cinema, the history of photography. Today would also be the history of video games.”
ERIC PRIGENT(Coordinator Le Fresnoy, National Studio of Contemporary Arts) – Tourcoing, FR
“The question of monitoring, both technological monitoring and artistic monitoring, is absolutely essential. We must, I think, be very attentive to what is happening in contemporary creation in terms of the use of the media today, in any sector of creative activity, whether it be cinema or not strictly animation cinema, be it the field of dance, the field of theatre, the field of plastic arts and the field of opera. These are quite marvelous territories of experimentation, precisely, in the relationship between technology and creation.”